00:00
A Rita é artista de cerâmica e trabalha por conta própria.
00:08
Agora a sua vida pessoal passou a ser independente da profissional, porque com a nova conta Banco CTT Biz, a vida de uma artista é outra loiça. Se trabalha por sua conta, esta nova conta é para si. Abra uma conta e tenha o seguro de acidentes pessoais incluído. Conta Banco CTT Biz. É só o que conta.
00:26
Conta disponível para profissionais liberais e empresários em nome individual com residência fiscal em Portugal. Ao receber transferências acima de 3 mil euros por trimestre, fica isento a comissão de manutenção de 15,60 euros cobrada trimestralmente. Banco CTTS é registrado no Banco de Portugal sobre o número 193.
00:36
Fundei a Ornota em 2013 e fabricamos vestuário para ciclistas. Para mim, a melhor parte da Shopify é a possibilidade de gerirmos o negócio mesmo não tendo conhecimentos técnicos. Conseguimos gerir tudo, do back-end ao front-end e fazer vendas online, sem complicações. Se a Shopify fosse um equipamento de ciclismo, Eu diria que seria a própria bicicleta. É aquilo que nos permite chegar onde queremos. É na Shopify que gerimos o nosso negócio. Comece a sua avaliação gratuita em shopify.com.
01:28
Oh, eu amo o Flour and Produce Show. Então eu, Clary. Você é só hambri, não é? Absolutamente. Pode ser meu favorito dia de ano de ano.
01:39
Eu não sei se eu amo isso muito. Mas você sempre tem um sorriso, não? Você não sempre sempre ganhou algo, Usha? Eu não vou fazer isso. E eu tenho que dizer, eu fui um pouco left field this year. Oh, yeah. Well, you know they've got this new fruit and veg tableau category? Yes. I made a scene from Conclave.
02:00
You know, the film. That's the one where they're choosing who'll be the next pope. Yes, exactly, yes. I've got all the clergy made out of radishes. I know, Alan loved it.
02:12
Well, I just made a very ordinary coffee and walnut cake.
02:18
Clary, eu tenho certeza que não há nada ordinário sobre o seu café e a walnut cake.
02:22
Oh, eu não estou muito preocupada com isso, Osha. É o Kira que eu estou preocupada. Por quê? Bem, ela fez um pão e cidre cake, mas ela tem um pouco de meio que fez isso, fez a própria receita.
02:36
She was so excited about it. She was still baking our past midnight last night. Well, that's dedication for you. Yeah, I just don't want her to be too disappointed if it's not to the judge's taste, you know.
02:49
Hi, Clary. You sure? Hi, Lily. Everything all right? Yes, all good. But the judges have just started having everyone out of the produce tent so they can get on. Right, well, we're ready for the hordes to descend in need of refreshment, aren't we?
03:04
We most certainly are.
03:05
Excellent. Thank you. Do you want sugar with your tea, Harrison?
03:08
No, thanks, Hoosha.
03:34
Oh, and congratulations are in order for you two, aren't they?
03:37
Are they?
03:38
Sorry? The cricket.
03:40
Oh, the cricket. Yeah, yeah.
03:42
Oh, it was a cracking match. You both played so well.
03:47
Oh, yeah, right. Thanks. Well, I'd better get back to the tent to see how the judge is doing. Just for... I wanted to see that you were alright, and you are. So, that's great, that's all great.
04:02
Don't worry about us, we've got it all under control. Great. Alright, I'll see you later.
04:07
See you later.
04:08
Yep, see you, Harrison.
04:13
Well, this is going pretty well. We've been busy, Tony, haven't we? I brought John's toy tractor along with me in case I had a quiet moment. It needs some TLC and I wanted us to look industrious at all times. But I haven't had a chance to even look at it. Well, you could have a go now, couldn't you? I could do, yeah.
04:32
Afternoon, Tony, Leonard, Robert. How do you feel about trying to fix the spring on Ambridge Hall's catering toaster? Well, we can certainly take a look. I'm afraid I did have a go myself and I might have made things worse.
04:46
Really? Oh, how?
04:48
Well, basically the handle came off. Oh dear.
04:50
I'm usually reasonably handy, but perhaps I'm losing my touch. Leave it with us, Robert. We'll have it sorted in a jiffy.
05:00
David Barton brought you a cup of tea and a slice of cake.
05:05
Oh, lovely. Thank you.
05:06
Are you trying to win favour, Clary?
05:09
Er, no. This is just what the tea stall does for all the judges.
05:13
Ignore him, Clary. Ignore him? Yes.
05:17
Are they both the same, the teas?
05:19
Yeah. Both regular milk, no sugar.
05:22
This is perfect. Thank you.
05:25
And there's fruitcake or there's Victoria sponge.
05:27
I'll have the Victoria sponge.
05:29
Hmm. Você está tudo bem com a fruitcake, David?
05:32
Absolutamente. Obrigada.
05:35
Obrigada. Obrigada. Olá, Kira. Você viu Kiliil ou Henrique? Não, não.
05:42
Eu não vi. Eu vi em Henrique no restaurante cinco minutos atrás.
05:46
Ok, obrigado.
05:47
Só um minuto. O que?
05:49
Tchau, tchau, tchau.
06:19
Tchau, tchau, tchau, tchau.
06:44
All right, well, I think I'm done, actually.
06:47
Dom! Aren't you...
06:50
Aren't you the fella off the telly?
06:51
Yeah, I guess I am the fella off the telly. Oh, good lord. I'm sorry, Dom. I didn't realise you were a famous actor. I'm so sorry. I'm not an actor. This is Dom from The Repair Shop. The Repair Shop. That's correct, isn't it? That's correct. Oh, I'm so sorry. I thought you were an electrician or something. No. You know, when you said you'd got some experience in repairs. Well, I reckon I've got a bit of experience. Famous for it. Oh.
07:20
Oh, I'm really embarrassed now that I didn't know.
07:24
I don't watch much television, you see. Don't worry about it. It's quite nice not to be recognised sometimes. How fantastic that you've mended our toaster. Thank you so much. Yeah, you're very welcome. Tchau, tchau, tchau.
08:02
Do you recognise him?
08:03
Of course I recognise him Tom's just fixed my toaster Isn't that brilliant?
08:13
And that concludes our trophy presentation Mas eu gostaria de dizer um pouco de finales.
08:20
Oh, no. O que? Eu disse ele não para fazer um speech.
08:24
Parece que ele está fazendo um, enfim. Você tem a confiança de Martin Gibson.
08:29
Quem é ele again, Grandma? Tchau, tchau.
08:32
O que é? O que é?
08:47
That's you, that's you Usha Raise your hand That was me Congratulations Usha, brilliant work We also wanted to make a special mention for our favourite cake Full of fantastically delicate and actually somewhat mysterious flavour This apple and cider cake was a dream Could the baker of this cake please raise your hand Oh that's Keira My granddaughter baked that cake
09:15
Kira Grande! Er, eu estou aqui.
09:17
Obrigado, Kira.
09:18
Can você te contar o ingrediente o ingrediente?
09:23
Não, eu estou com certeza que não. O ingrediente tem que permanecer. Você te contar, Kira.
09:27
Eu vou te dar antes de eu te contar.
09:29
Bem, isso parece um pouco extremo, mas bem bem.
09:36
Oh, por favor, eu vou te dar um pouco. E um pouco mais. E um pouco mais. Nós tínhamos um excelente garlic.
09:43
Thank you so much for all your help, Dom.
09:45
You've been amazing. You've been here for most of the afternoon. I've really enjoyed it. And we've done a roaring trade. Well, it's been an absolute pleasure.
09:55
Dom? Yeah?
09:57
Before you go, Tony's got something he'd like to ask you. Oh, no, no, no. It's all right. It's all right. Come on, Tony.
10:06
He's brought something with him. That he's been trying to fix. Oh, right. Well, why didn't you say?
10:12
Well, because I just felt like you'd done so much already. Oh, come on. Don't be daft. It's this toy tractor, but it's almost like a replica of the real thing. Okay.
10:23
Well, I'd love to see it. Do you know what? I might just go and get us all another brew if they're still serving. I don't know about you, but I'm a bit parched. Oh, that'd be great. Thanks.
10:34
Thanks, Leonard. Bye in a sec. Bye.
10:37
É um realmente extraordinário toy, porque as ferramentas de ferramentas podem ser desmantadas e desmantadas, e as ferramentas funcionam e tudo bem. O que eles funcionam era para o meu filho, John.
10:51
Wow, isso é tão bonito.
10:53
Bom, isso foi. Não, não, isso é. Mas, eu acho que é provavelmente impossível para fixe. Você sabe o que? O que? O que o restaurador disse que nada é impossível para fixe.
11:04
Ele morreu?
11:06
Sim.
11:08
Meu son John, ele died quando ele era 22. Oh, meu Deus.
11:15
Sorry to just come out with it. Please, no.
11:17
Don't say sorry.
11:20
What do you think of the toy?
11:23
I think I'll do my very best if you'll let me take it away with me. Would that be all right?
11:28
That would be. That would be very all right. Thank you so much, Tom.
11:39
Lily? Sim? Oh, hey.
11:42
Do you need a hand with anything?
11:44
No, no, I think I'm OK, thanks. Oh, right.
11:46
What about those dressel tables?
11:49
Oh, Uncle David's going to take them back to the village hall.
11:52
Right.
11:53
So, yeah, I think we're all good.
11:55
Went really well today, didn't it?
11:57
Yeah, yeah, it was good. It was great.
12:00
Well done. Eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu, eu.
12:30
O que?
12:32
Não, não. É como o opposite.
12:35
O que é o opposite?
12:37
Eu não sei, é só não estranho. Eu me, é... É sempre completamente lindo ver você. Ok. Bom. Eu estou tentando fazer o que você disse. Sim, não, bom. Sim.
12:52
Bom, que é bom, então.
12:58
All right, well, I'll see you around, will I?
13:01
Yeah, see you around.
13:09
Oh, dear Lindy.
13:10
What? What's wrong?
13:12
We just had another cancellation.
13:14
Another one?
13:15
Yes.
13:16
E é rather unexpected. Quem é? É o O'Hara's. Não. Eu acho que não tem nada a ver com nada. O plano muda, não tem?
13:25
Claro.
13:26
Mas eu não sei. Eu não sei. Eu tenho um bad feeling sobre isso.
13:30
Usually, eles são tão friendly, não é? Se eles fossem cancelling a short notice, eu esperava que eles falassem. Mas eles não falassem. Bom, isso é odd. Você quer ver o e-mail? Sim, por favor. Yes, maybe I'm being over the top, but it does seem a bit terse. Oh, yes, that is the definition of terse. Would you be slightly aggressive to ask them why?
13:53
I mean, they've been coming here for years now and I'd hate to think that they've read something or heard something or that we've upset them in any way.
14:01
I don't think a polite email from you could ever be read as aggressive.
14:05
All right, I'll compose something and run it past you before I send it.
14:11
Oh, Robert, is this ever going to end?
14:19
Hi, Jolene. Oh, David. How are you doing? You forgot your rosette.
14:23
Oh, you found it.
14:26
First prize for the smoothie category.
14:28
Oh, I lost it yesterday and I was really upset.
14:31
Yeah, well, there you are.
14:33
Oh, that's lovely.
14:35
Oh, Kenton and I were so pleased to win.
14:38
Well, it was a brilliant recipe. You should start serving them here.
14:42
Yeah, well, we did say that to each other, actually. We could just do them now and again as a special. Well, yeah, why not? And now we can legitimately call them award-winning, can't we?
14:53
Yeah, you can. Cash in on your rosette.
14:57
Ei, weren't it amazing that Dom from the repair shop was there?
15:00
Yeah, that was great, wasn't it?
15:02
Yeah, apparently he fixed a fair few things, including Robert's toaster.
15:07
Tony said that Dom's got a little project on the go for him, too.
15:10
Oh, lovely.
15:12
Now, can I get you a drink on the house for bringing me my lost rosat?
15:17
Oh, you don't have to do that.
15:18
Oh, I'd like to, honestly.
15:21
Well, I suppose a swift half wouldn't do any harm.
15:27
She's emailed me straight back, just says they fancied a change.
15:31
Hmm. Do you think that's true?
15:34
No, because if that's all it was, I'd expect something friendlier and slightly apologetic. Not because they owe us a visit or even an apology, but just because that's the sort of people they are.
15:47
Oh, Robert. I'm not sure I want to do this anymore. Do what? Run the B&B.
15:55
Seriously?
15:57
I don't know, but I suddenly feel very tired.
16:03
So do I. Really? Well, yes, but no doubt things will get better. The fallout from Monty, well, it'll blow over, won't it, in time?
16:14
And if it doesn't, what then?
16:21
Sim, sim.
16:48
Oi, Uncle David. Jolene. Lily. Oh, Lily, guess what? What? David found our rosette for us. Good to see. Brilliant. Is Paul here?
16:59
Oh, no, my darling. I haven't seen him. Oh, right. He's meant to be meeting me.
17:04
Okie doke. Well, I'd better get going.
17:06
Right you are, David. Thanks again.
17:09
Oh, Jolene. Yeah? Is Kenton still planning to go to Shula's next week? He is. Because I'd like to send a couple of things with him from Brookfield. What? You know, some of Mum's jam and a few other bits and pieces.
17:20
Oh, I'll mention it to him.
17:22
Great, thanks. I can drop him over, but it'd be good to know when he's leaving.
17:25
OK, David. Right, I'll see you both later.
17:28
See you, Uncle David. And thanks for being a lovely judge.
17:32
Any time. Thanks for the drink, Jolene.
17:36
Jolene, você sabe alguma coisa sobre esses chairs que Lillian disse que pudessem ter para o stables? Não, o que chairs? Lillian disse que pudessem ter alguns chairs que o bolo está ficando rid do. Oh, sorry, sim, sim, sim. Você sabe onde eles estão? Sim, over lá. O que, os dois no lado? Sim.
17:55
Oh, they're nice. Why is she getting rid of them? Well, I mean, they are a bit tatty. Oh, I like them like that. So you want to take them now? Oh, the thing is that Paul's supposed to come and take a look at them too, and he's quite fussy.
18:08
Well, they'll be here soon, I'm sure.
18:11
Do you want something to drink while you're waiting?
18:13
Oh, yeah, maybe I do.
18:14
Yeah, what do you fancy?
18:16
Uh, better make it a lager shandy.
18:18
Oh, a half. Right, coming up.
18:22
Oh, hello, Harrison. How are you, my darling?
18:25
Oh, yeah, knackered.
18:26
Been a long day?
18:28
It has, it has.
18:30
All right, Lily?
18:31
Yeah, good, thanks. What's going on at work, then?
18:33
Oh, you know, just one of those days that makes you miss your old job. Really?
18:38
Yeah. Do you think maybe you'll end up moving back to Yorkshire?
18:42
Oh, I don't know. I don't know, I'm probably just being daft.
18:45
Yes, you are. You're not going anywhere.
18:47
Well, that's me, too.
18:48
You'll be missed round here, wouldn't you, Lily? Yeah, especially at the cricket.
18:53
That's £2.50, my darling. Thanks, Jolene.
18:56
What's that you drinking?
18:58
Half a Shandy. I mean, it is a Monday.
19:00
Ah, is Monday night Shandy night?
19:02
Yes, I have a drink schedule mapped on the wall at home.
19:05
Do you want anything, Harrison? Oh, it's tempting. Do you know what? I knew it would be dangerous living above a pub.
19:10
Yeah.
19:11
Well, you've had a hard day. Well, that's true. That's very, very true.
19:14
No, we've got a new one. Waterly Sunset. Want to try that? Make a change? It's really nice, that one. Yeah, go on. Why not? Right, pint or half?
19:23
Oh, pint. Definitely a pint.
19:25
Right, your heart. Where is he?
19:30
Where is he?
19:31
É Paul. Eu soube-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me-me
19:58
Well, I mean, I could help you carry her mum.
20:02
Really?
20:03
Yeah, we can take one each, can't we?
20:04
That's kind of you, Harrison. Um, well, yeah, if you don't mind.
20:09
Oh, no, it's no problem. Right, there you go.
20:12
Oh, thanks, Jolene.
20:13
Cash or card?
20:14
Card, please.
20:15
Ready when you are. Hey, if it saves you two a trip, Kenton could stick them chairs in the back of our car.
20:23
Um, well...
20:25
Não, não é tudo bem, não se preocupe, Uncle Kenton.
20:29
Sim, eu não vou dar a linda a linda.
20:35
Você sabe, a mais que eu penso sobre isso, a mais que eu realmente gostaria de deixar o B&B. Sim, sim.
21:08
We've never said that before. Perhaps it's quite a recent phenomenon. I mean, what I'd really like to do is shut up shop and go on a lovely long touring holiday, like Jim Lloyd.
21:19
Where is he now?
21:20
Provence. Provence in September. How gorgeous.
21:25
I picture fields and fields of lavender and excellent wine. Yeah, sounds good. Doesn't it?
21:31
But Lindy, we can't really just give it all up just like that. We need the money, for one thing, and we've still got bookings.
21:40
But we could stop taking more. We could. I mean, right now, we're down anyway.
21:44
We'd still need to supplement our income somehow. It's not like we were running the B&B just for fun, is it? No. Can I just ask... Go on.
21:53
Well...
21:55
How much of this is actually about Monty, this funk or malaise or whatever you might call it?
22:03
Hmm, it's a good question.
22:06
It's hard to say, isn't it? I've no idea.
22:15
What do you think?
22:18
Of the chairs?
22:20
O que mais eu ia dizer?
22:22
Eu não sei, eles são muito, eles têm um sort of weathered look.
22:26
Eles têm, não têm?
22:27
Sim, como eu. Ok, eu acho que eu vou ter de fora.
22:34
Você não está em meu jeito.
22:36
Não estou?
22:37
Não, não. Não, não. Ok. Ah, Paul.
22:44
Ah, onde é ele?
22:45
At the cinema.
22:46
See? Então ele esqueceu.
22:48
Bem, ele está tentando dizer que nós dissemos que iria olhar para eles amanhã, mas eu sei que não.
22:53
Ou você tem alguma coisa em writing?
22:55
Não, não.
22:56
Não, não, não. Não, não.
22:57
Não, não. Não, não.
23:02
Não, não. Não, não. Não, não. Não, não. Não, não. Não, não.
23:07
Sim, sim. Eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei, eu mei?
23:36
Sit down. Make use of our new chairs. Oh, lovely, yeah.
23:40
All right. Oh, nice.
23:42
I could make us a cocktail.
23:44
Really?
23:45
Well, Paul and Ben made these cocktails on Saturday night and they were amazing and we've still got all of the ingredients and I'm sort of thinking, well, I'm thinking it might be nice.
23:57
What kind of cocktail?
23:59
A White Russian, vodka, coffee... I know what a White Russian is. Yes, of course you do. They're really nice, when Paul makes them. But if you hate it, there's beer in the fridge.
24:11
Sounds like a plan.
24:13
Sorry, can you just reach that cocktail shaker for me? Cos I'm not tall enough.
24:17
Yeah, of course, can I? Yeah, sure.
24:19
I just... Thank you.
24:22
You're welcome.
24:25
What?
24:27
Bem, eu estou pensando, o que nós falamos para o Ben ou Paul quando eles falam sobre a porta?
24:36
Bem, Paul já foi para o cinema.
24:37
Sim, ok. O que está com o Ben?
24:40
Ben está com um dia em Brookfield hoje.
24:42
Mas ele provavelmente pode ir embora bem mais tarde.
24:46
I mean, we're only having a drink, Harrison.
24:49
No, yeah, of course, yeah, no. I'm not getting ideas above my station or out, no. You know what I mean, it's still White Russians on a Monday night.
24:59
What night do you usually drink White Russians? You don't have to stay if you don't want to.
25:05
Of course I want to.
25:07
Good.
25:08
Then stay.
25:11
OK.
25:12
I will.
25:19
Anna?
25:20
Anna? Mum? Are you awake? Well, I am now. Oh, good, good. What time is it?
25:27
Um, 6.30.
25:28
Are you all right?
25:30
Oh, yes, I'm fine, I'm fine.
25:31
So why are you calling me? I was asleep.
25:34
You said you were awake.
25:36
I didn't, actually.
25:38
You sound annoyed.
25:39
Just tell me, are you okay?
25:41
Um, well... No, no, actually, I'm not.
25:44
What's happened?
25:47
There's this poor baby bat, you see. A bat? You're calling me about a bat?
25:53
Yes, because it's hurt. And it's only a baby, Anna.
25:56
Um, OK.
25:59
O que é esse bat?
26:01
É em casa.
26:02
Em casa? Não, não, em minha mão. O que?
26:06
Oh, não se preocupe, eu wrappedo em uma colada. O que é que eu preciso de uma colada, e eu não tenho uma colada.
26:12
Mãe, você não pode ser escravado. O que se é rabia? Não, não. Onde você ainda... Onde você... Onde você... Onde você...
26:19
É fora, na árvore, na árvore, na árvore.
26:22
Você tinha sido escravado toda noite? Claro que eu não tinha escravado toda noite. Hang on, um, let me just look up what you're supposed to do with a bat.
26:31
Oh, no, I know what you're supposed to do.
26:33
You're supposed to put it in a shoebox or some other kind of similar thing. And you make air holes and then you take it to a vet. But I didn't have a shoebox, did I?
26:43
Then you need to take it back outside.
26:45
Oh, no, no, no, I can't do that. No, there's something wrong with it. It can't fly and it could so easily get hurt, get crushed or get eaten. Eton? Sim, por que não? Por que? Eu não sei, não eu?
26:59
Oh, por favor, Mãe... Você acha que você poderia vir aqui e trazer uma bolsa?
27:05
Is that a yes or a no?
27:06
Just take the bat back outside.
27:09
I can't. I won't. It is against bat regulations. Well, I am pretty sure it's against bat regulations to sit there hugging them.
27:18
I am not hugging it.
27:21
Anne, why did you call me? Because I always call you.
27:26
Okay. Okay, I'm going to drive over.
27:28
Oh, no, no, no, you don't, you really don't have to do that.
27:31
If you don't have a shoebox to hand, I'll call someone else and I'll call Alan.
27:35
No, don't bother Alan.
27:37
Well, why not? He's always happy to help.
27:40
I'm coming over. I'm coming over right now. Oh, no, don't, don't, don't. That is just silly. Now, go to work and I'll just sit here till the vet surgery opens and it will all get sorted. You know, Alistair's probably got something to house the baton and then I won't need to trouble Alan either. I'm getting in the car and I'm coming over. I'll be there as soon as I can.
28:08
Oh, no, no, no, no. I left the alarm on.
28:17
Sorry.
28:19
Oh, é tudo bem, é tudo bem.
28:20
E eu não tenho que ter um early this morning. Sorry. Oh, é tudo bem. É tudo bem, honestamente.
28:26
Ok. Bom, bom. Bom dia. Bom dia. Isso é um pouco mais, não é?
28:33
Sim, sim. Sim.
28:36
Você está bem com isso?
28:44
Oh, yeah. Yeah, yeah, of course. Totally. Why?
28:47
You're not? No, no. I am. I am. Absolutely.
28:53
Yeah.
28:55
So... So...
28:57
What do we do now? What do you mean?
29:02
Do I just get up and let Ben and Paul see me going to work?
29:05
Oh, yeah, right.
29:06
Because, honestly, I'm not sure about that, you know, about them knowing.
29:11
No, me neither.
29:12
Yeah, I'm not ashamed.
29:13
No, me neither.
29:13
Yeah, no, it's just, you know, I wouldn't want Fallon to hear or, you know, hear from someone else.
29:19
Oh, no, of course not. I get that, totally.
29:21
Because, you know, like, obviously the original plan was to, well, avoid each other completely and definitely not let this happen.
29:29
Yeah, no, we failed.
29:30
We did.
29:32
I just, I, I didn't really like that plan.
29:35
Yeah, no, me neither.
29:36
Because I kind of just fancy you too much. Sorry. You do have to apologise. Oh, I think I've always fancied you.
29:51
Sim, sim, sim.
30:14
Of course, no, I get that.
30:17
And you're like, you know, you're quite a lot younger.
30:19
Yeah, no, I know, that's fair enough.
30:22
That probably just makes you a decent human being.
30:27
How much older was Russ?
30:32
Sorry? I mean, Russ was quite a bit older, weren't he?
30:36
He was.
30:37
And so am I.
30:40
Look, this is nothing like that.
30:43
No, I'm sorry. I'm sorry. It's none of my business.
30:46
No, it's okay. It's all right. I mean, the Russ thing, that relationship, it was weird. I didn't think of it like that at the time.
31:00
But you do now.
31:01
Yeah, I do. I do a bit. But this, whatever it is, it's nothing like me and Russ.
31:11
Ok, bom. É bom.
31:20
Mãe?
31:21
Mãe? Mãe? Não precisa de falar. Não é como eu moro em uma casa, é? Você já falou para Alistair? Não, não, ainda não. Por quê? Well, I thought I'd wait till you got here. Oh, say hello, say hello to the poor little thing. Hi, bat.
31:40
Oh, isn't she grumpy, my daughter, eh?
31:43
Why don't you give the bat to me? No, no, no, no, no, it's all right. Well, if you give it to me, then you can ring Alistair. Well, or you could ring Alistair, couldn't you? Please, just give me the bat. Are you sure? Not afraid of being bitten? Well, I'll put some gloves on too. Hmm.
32:06
Oh, hi, Jolene.
32:06
Oh, Harrison, morning. You're out early.
32:09
Yeah, I've just, you know, just been out for a walk.
32:12
Oh, well, I might even join you one morning. Oh, well, yeah. If that'd be all right with you. Oh, yeah, sure, of course, yeah, great. Hey, shall I roster you up a bacon sarny?
32:20
Oh, no, no, there's no need for that.
32:22
Oh, it's no trouble, honestly. And I'm sure Kenton would be glad I want, too.
32:26
Oh, Fallon.
32:27
Fallon.
32:28
Hiya, Harrison.
32:29
What brings you here so early?
32:31
I just needed to pick up a few things before I get to the crook barn. Oh, right. Stuff I left in the kitchen that belongs to me. Is it OK if I take them back? Yeah, of course it is. You don't need your ass, do you? No, thanks.
32:40
Right, I'm just going to go and ask Kenton if he fancies a bacon sandwich.
32:44
OK, but if he doesn't, please don't make one just for me.
32:47
Don't be daft. Be no trouble. I'll be right back. No, Jolly...
32:53
How's it all going, anyway?
32:54
It's Laura Loxley. Yeah, it's good, thanks. Oh, really glad. Yeah, it's interesting. It's new. And Elizabeth's been away, but Lily's been brilliant. Really great. Oh, good. That's good. Yeah, she's a real sweetheart, isn't she?
33:14
Eu... Eu... Eu... Eu... Eu... Eu... Eu... Eu... Eu... Eu... Eu... Eu... Eu...
33:28
Do you know what? What?
33:31
I think you might actually have broken the law. Oh, how? How on earth could I have broken the law? Because bats are a protected species. But Mum, it was honestly fine. You should have seen it. It just flew as soon as I let it go.
33:51
Right then.
33:52
O que o Kenton disse? Ele disse no.
33:54
Right, eu vou. Você tem tudo que você precisa? Eu acho que sim. Ok, eu vou fazer o que o Harrison a bacon sorne. Oh, nice.
34:01
Por favor, não, Jolie. Não se eu sou a única que eu tenho um.
34:05
Não, não, não, não. Eu acho que você é um dia depois de sua walk.
34:09
Então, eu vou ver você depois, meu darling. Oh, sim, sim, mam. Você foi para a walk?
34:14
Oh, sim, só up Lakey Hill.
34:15
Oh, é bom. É bom que você está olhando after yourself.
34:18
Sim. Sim.
34:20
Harrison.
34:22
O que?
34:22
Tudo bem?
34:23
O que você quer dizer?
34:26
Você parece um pouco, bem, nervoso. Do eu? Sim, você parece, nervoso de mim.
34:34
Oh, não.
34:35
Ok.
34:37
Eu só queria ver. Ok. Eu posso ainda falar sobre o que você tem, sabe? Sim, eu sei. Eu sei, eu sei. Eu sei, eu sei.
34:43
Eu sei, eu sei. Eu quero ser amigos.
34:45
Então eu.
34:47
Bom. Bom.
34:49
Bom.
34:54
Ah, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não, não.
35:23
Eu quero dizer, talvez isso seja muito, mas eu quero dizer que eu gostaria de ver você novamente. Me também. Muito? Sim, absolutamente.
35:35
Bem, eu gostaria de dar isso, Oz, uma chance. Uma chance proper.
35:49
Ok, mam, eu tenho que ir, eu preciso chegar a trabalho. Isso ainda é por causa de Richard e o memorial? Desculpe?
36:00
Look, I know you're annoyed that Alan and I did something without you, but you can't take your annoyance out on a defenceless bat. I am not taking my annoyance out on the bat. The bat is fine. I'm taking my annoyance out on you, and you're hardly defenceless, are you?
36:16
I am a woman in my nineties.
36:18
Then why don't you start acting like it? What on earth is that supposed to mean? I don't know. I'm just tired. Tired? Of me?
36:28
I didn't say that, did I?
36:31
Se você realmente teve nada de me ver, talvez você tenha que parar de me ver cada 20 segundos. Oh, eu gostaria de. Eu gostaria de ter minha própria vida. Para ser free de fazer plans. Para não ficar awake no meio da noite worrying sobre você. Então eu release você. Eu hereby release você de todo o futuro responsabilidade. Em fato, você nunca tem que vir aqui novamente. Oh, não é ridículo. Não, não, eu estou totalmente sério. Mãe. Você não é o único que está cansado, Ana.
37:02
I am tired.
37:05
I'm tired of feeling like a burden. I never said you were a burden. Oh, do me a favour. Oh, I'd love to have my own life. I would love to be free to make plans. Well, I would. Yes, well, that's why.
37:18
I am releasing you. Okay. I've got to go. I've got to get to work. I just can't do this right now.
37:27
Fine, go, go.
37:30
Go.
37:30
And don't come back.
37:33
Você não quer dizer isso. Eu faço, na verdade.
37:45
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38:36
It's great to have the window fixed.
38:38
Oh, yeah. I just wish it was as simple to fix the bell.
38:42
Well, you can't solve everything all at once, can you?
38:45
It would seem not.
38:47
I mean, you're doing your best.
38:50
Not according to some.
38:52
I thought you and Pat had sorted things out.
38:55
No, no, no, we did, we did, yeah. I meant Fategate.
38:58
People have forgotten all about that.
39:01
No, they haven't. I was accosted in the street by Derek Fletcher only yesterday.
39:06
Por Deus do que! Eu mei, você era apenas tentando fazer dinheiro para a church bell, não para absconde para Las Vegas.
39:13
Eu acho que se eu fosse um absconde, eu ia ir para o Outer Hebrides e ir para a paz.
39:17
Eu vou começar com você.
39:21
Vamos lá.
39:22
Eu acho que você será forgiven. 30 anos depois. Oh, hello.
39:27
Oh, quem é isso?
39:29
É Ana Trigoran. Eu better answerar.
39:31
Quem é a vicar? Ah, sim.
39:34
Oi, Ana, tudo bem?
39:35
Eu não sei, eu não sei.
39:37
O que aconteceu?
39:39
Minha mãe não está respondendo.
39:42
Oh, certo.
39:43
Eu tenho certeza que ela está ignorando me, mas eu estou preocupada que ela tenha falado ou que algo mais aconteceu.
39:51
Sim, sim.
40:16
Ok. Oh, Alan, I'm just going to text you the code for the key safe in case she doesn't answer.
40:21
Er, ok.
40:23
Is that alright?
40:23
Yeah, yeah, of course.
40:24
Just go straight in.
40:25
Ok, sure.
40:26
Thank you, thank you. I'm sure you'll be rewarded in heaven.
40:31
I'll call you right back.
40:33
Thanks, Alan.
40:36
Is Carol alright?
40:37
I don't know. Will you come with me, just in case? Of course.
40:45
Do you know where Henry is?
40:46
Yeah, he's off sick.
40:48
Lucky.
40:49
He's got some vomiting bug.
40:50
That's even better.
40:52
You have a weird idea of luck.
40:53
No, but like, once you've stopped throwing up, you get at least an extra day off, don't you? Because it's like 24 hours after you've been sick, or even more. Maybe 48, I can't remember.
41:04
Yeah.
41:05
So by now, he's probably just watching telly and feeling fine. Maybe.
41:09
Maybe.
41:10
Maybe he'll give it to us, though. Oh, that'll be good. Cos, I mean, we were sitting next to him yesterday on the bus there and the way back. So we might get it.
41:19
No, I don't want to get it.
41:20
Oh, I really, really do. Why do you hate school so much?
41:23
Dunno.
41:24
Why do you not hate school?
41:27
Dunno. I suppose I just like learning.
41:30
Khalil. What? How are we even friends?
41:38
Oi, Ana.
41:39
Is she OK?
41:41
Is she OK? She's not here. She's not in the house.
41:43
What?
41:44
We let ourselves in when she didn't answer. She's not there. We've looked everywhere. Every room and the garden.
41:51
I don't understand. I just... Where can she be?
41:55
Alan? Hang on. Sorry, Ana.
41:56
I just need to have a little scoot around for Carol Beyond the House.
41:59
Oh, yeah, great. Thanks, Usha. Did you hear that, Anna?
42:02
Yes, yes.
42:03
Oh, can you think of anywhere else she might have got to?
42:06
No, I can't. I really can't. It's bizarre. I'll have to drive over.
42:11
Look, just, why don't you hang on? Let's see if we can locate her first.
42:14
I was in Ambridge yesterday. Well, that's when we had this row about a baby bat. Oh, right. We both said some things we shouldn't have said, and now... Where is she?
42:22
Look, we won't give up till we've found her, Anna. We won't.
42:25
Alan?
42:26
Yeah, yeah, just a sec.
42:27
What? Alan, I found her.
42:30
Anna, Usha's saying she's found her.
42:33
Really? Really? Where? Is she there? Is she all right? Can I speak to her?
42:37
I really need to speak to her. She's lying on the ground in the graveyard.
42:40
Oh, good grief.
42:41
What?
42:42
What? Apparently she's lying in the graveyard.
42:47
Is she alive?
42:48
Is she breathing, Usha? Is she breathing?
42:50
Yes, she's breathing, but I've no idea how long she's been there.
42:57
Did you see that?
42:59
See what?
42:59
That girl What girl? That one What?
43:04
What about her?
43:06
The way she looked at me was like so mean and I don't even know her Then why would she give you a mean look? Because she doesn't like me But you just said you didn't know her I don't I mean I just see her in the corridors or the canteen or wherever and she always gives me this vibe this look Are you sure? Você está louvendo me?
43:27
Sim. Por que a mulher que nunca tinha nada a fazer com você, nunca, por que ela não goste de você?
43:33
Eu não sei, eu não sei. Isso é o que me freia.
43:37
Não você nunca geta isso?
43:39
Não, eu não.
43:39
Então você está muito feliz.
43:41
Eu me, eu só expecto pessoas que não gostam de me. Por que não?
43:46
E se eles não gostam de me, eu só assume que é porque eles são racistas.
43:49
Você está tão feliz.
43:51
Você é!
43:52
Você acha que todo mundo é feliz, exce você?
43:54
Bem, eles são!
43:55
Não, isso é loucura! Claro que eles não são!
43:57
Bem, não é como pessoas que vivem durante a guerra e a famine e a disaster. É só normal e feliz. Why are you shaking your head?
44:06
Because you're just yapping.
44:07
Oh, thanks. You are. You yap too, you know.
44:10
I bet you any money that that girl, the one you think was giving you a look, I bet she didn't even see you.
44:16
You saying I'm invisible?
44:17
No, Kira.
44:19
I was joking.
44:26
Ok, eu tenho heaps de blankets, e provavelmente muito muito, e eu madei um hot water bottle.
44:31
Oh, obrigado, que é ótimo, Usha.
44:33
Has ela spoken? Has ela said anything?
44:35
Não, nada. Carol, can você ouvir me? Can você ouvir me, amor? Nós temos um ambulância coming, ok? Eles não vão ser long. Eles não vão ser long, ok?
44:44
Oi, Carol, é Usha. Nós trouxemos um hot water bottle.
44:48
Obrigado, é apenas setembro.
44:51
Oh, shall eu answer it?
44:53
Sim, obrigado.
44:55
Hi, Anna.
44:57
Hi. Hi. Is the ambulance there yet?
44:59
Not yet.
45:00
What are they doing?
45:01
Well, you know, I'm sure they'll be here soon. You know how stretched services are. But they did say she was a priority.
45:08
Is she talking? Is she saying anything?
45:10
Nothing, I'm afraid. She's completely unconscious.
45:15
But she is breathing. She's definitely breathing.
45:17
Absolutely, yes. And we're making her comfortable with a hot water bottle and heaps of blankets. Thank you.
45:22
Thank you.
45:24
Oh, hang on! Hang on, Anna! I can hear the siren!
45:28
Oh, thank heavens!
45:34
You OK, Kira?
45:35
No.
45:36
What's wrong?
45:38
I don't feel right.
45:40
I think I've got Henry's bed.
45:41
OK. Have you told the teacher?
45:43
Yeah, but they just told me to suck it up.
45:46
Really?
45:46
I mean, they didn't say it like that, but that's what they meant.
45:50
Do they know you were sitting with Henry yesterday?
45:52
Yeah. Well, I told them it was probably that, and they just said that unless I was actually sick, I couldn't go home. I should have just lied.
46:01
And I still could.
46:02
Yeah, I mean, you could, but... But what? I don't know.
46:06
What?
46:07
I don't know. I mean, even when I'm ill, I basically make myself come in anyway.
46:10
Why would you do that?
46:12
Because when I'm sick, my mum freaks out and thinks I'm dying or something.
46:16
Really?
46:16
Yeah, really.
46:18
I wouldn't have expected that from your mum. Oh, yeah, she's terrible. She seems, like, really calm and professional and not the panicky type, you know?
46:27
It's because I had cancer.
46:29
What?
46:30
When I was little, I had cancer.
46:33
Twice, actually.
46:35
I didn't know that.
46:36
Yeah, I don't really like telling people.
46:38
Khalil.
46:39
Don't start looking at me different.
46:40
I won't.
46:41
Em primary school, I was like the poster boy for cancer. I really do not want to be known for this.
46:46
I won't tell anyone.
46:47
Promise?
46:48
I promise.
46:49
I wouldn't. I wouldn't do that.
46:52
No, definitely don't tell your nan. Kill your... I mean, you know, you did tell her about the sheep photos.
46:57
Yeah, but this is different. This is serious.
47:01
That was serious.
47:03
But not as serious as this.
47:04
The thing is, I'm fine now.
47:07
Good.
47:09
Don't look at me like that.
47:09
What? I'm not. I'm just really sorry that you went through that.
47:17
And I'm really glad that you're okay now.
47:20
Thanks. Ah, come on.
47:23
What?
47:23
Hey, we've got double muffs now.
47:25
See that? That is enough to make me actually vomit.
47:32
Do you want anything?
47:33
No thanks.
47:34
Me neither.
47:39
Poor Carol.
47:40
Poor Anna.
47:41
Oh, yes.
47:43
Hopefully she'll be all right.
47:45
Anna?
47:45
Well, both of them.
47:48
It's madness, really, living alone at her age.
47:51
But she won't be told.
47:53
Maybe now.
47:54
Se ela survives.
47:56
Olá, Lucia.
47:59
Olá, Lucia.
47:59
Oi. Oi. O que estão estão dizendo? Veja a nenhuma? Nós não conhecemos muito. Eles tomaram ela para um teste.
48:06
Estamos esperando para alguém para falar. Eles não conhecem muito.
48:08
O que estão dizendo?
48:10
O que estão dizendo? O que estão dizendo? Eu não sei. Não, não, não.
48:14
Vamos ver. Vamos lá. Vamos lá. Vamos lá. Vamos lá.
48:16
Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá. Vamos lá.
48:22
Vamos lá.
48:24
We didn't really get a chance to ask any questions, did we?
48:26
No, I'm sorry.
48:27
No, why are you saying sorry? You've been amazing. You have both been amazing. I don't think we have.
48:33
I wish we'd done more.
48:34
Well, you found her. You found her and you got her to hospital and I am incredibly grateful and thank you for staying. You must have loads of other things to beat.
48:44
Oh, well, please, don't worry about that. We wanted to stay.
48:47
Can we get you something, Anna? Tea, coffee, something to eat. I can't imagine you've had any breakfast.
48:53
No, I haven't. I'm not hungry. Thanks, Usha. I can't eat. I feel sick right now.
49:00
Do you think she was lying outside all night? We don't know. I mean, the idea of that is just horrific. I know, I know. Why was she there? What was she doing?
49:11
Well, let's go and find someone who can tell us what's going on.
49:14
Yes, yes.
49:15
And I might just get you a coffee, Anna, with some sugar, because you look very pale and a bit wobbly.
49:20
I just want to see my mum. All I want to do is see my mum.
49:31
Boa noite. Boa noite.
50:01
Coelho, você não deve ter.
50:02
Eu estou muito feliz que você fez.
50:03
Robert. Bem, eu estou.
50:05
Vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos, vamos.
50:18
Se você for joining us.
50:20
Oh, Curly, you won't want to play, Robert.
50:22
I don't mind. I can play if you like.
50:24
You don't have to, of course.
50:25
I'm sure it's the last thing a young person wants to do. Well, I don't know about that. Robert, please. To be fair, actually, loads of Gen Z have got really into jigsaws. Jigsaws? Yeah, there's this whole, like, Gen Z backlash thing. Instead of going out, they're staying in doing jigsaws. Wow. So, you weren't totally wrong, Robert. Oh, see? I wasn't totally wrong, Lindy.
50:44
Wow. Oh, there's a first for everything.
50:46
Oh, thanks, thanks a bunch. I'm only teasing, Robert. Although I should say one thing about that. What's that? Well, I'm actually Gen Alpha, not Gen Z, just so you know.
50:58
Right, OK.
50:59
Does that mean you're not doing jigsaws? Bang on, that's it. But I am, on this one occasion, for one night only, willing to play Scrabble.
51:07
Oh!
51:15
Estou dormindo? Sim, você tem, mãe. Você quer se sentar? Sim. Obrigada. Obrigada.
51:23
Obrigada. Obrigada. Obrigada. Sim, obrigada.
51:40
Have you come to take me home?
51:43
No. I mean, not yet.
51:46
Well, when? When can I leave? Oh, I don't know, Mum. You've got to have the operation first, haven't you? Operation? Yeah. What operation? Do you not remember? Remember what? A consultant came round this morning and he explained everything. I don't think he did. No, he did, Mum. I was there. I was here. I don't want an operation. But there's no choice. You've broken a hip. If they don't do this, you won't be able to walk again. And what's worse, you'll be in agony.
52:21
I want to see the consultant again. I'm not sure you can. I don't know if he's still here. Can you go and ask, please? Yes, I will. I will. I'll go and ask one of the nurses, but...
52:31
Can I just talk to you about something else for a minute? What? What is it?
52:39
Yesterday, they asked me to sign a respect form for you. What's that?
52:46
Well, one of the things they asked about is DNR. Do not resuscitate. Whether that's what you would want.
52:55
And you said that I would want that? Yes.
53:01
Eu sei. Mas agora que você tem a capacidade, você pode fazer essa escolha para você. Oh, can I? Bem, obrigado. Oh, Mãe, eu tive que fazer uma decisão e você era inconsciente. Oh, é isso para fazer me sentir melhor? Resuscitação pode ser muito invasivo e eu não sabia o que você teria escolhido para você porque você sempre tentou falar sobre isso e nós devemos falar sobre isso agora. Então, eu gostaria de viver.
53:25
Se é tudo o mesmo para você. Bem, eu gostaria de viver também. Você não sempre dá aquela impressão. Oh, Mãe. Você foi muito forte no me o outro dia. Bem, você foi muito forte no me também. Sim, sim, eu acho que sim. Eu me desculpe, Mãe.
53:43
I didn't know what to do for the best. I'm glad you can make your own decision now because it's too much responsibility for me. Alan and Usha found you lying in the graveyard, Mum. Graveyard? Yes.
53:55
Really?
53:56
Do you know how long you were there? I've no idea. What were you doing there? Why were you there? Can you remember? Um...
54:06
I think I was looking for that poor bat. The bat? The poor baby bat. The bat that flew away? I wanted to check it was alright. But I told you, it flew away. And I woke up in the night and it was just bothering me. You went out in the dark.
54:23
It was starting to get lighter. Yes, yes, I'm sure it was. Well, I mean, there's no point looking for a bat in the middle of the day. They only really come out at night, don't they?
54:38
.
54:39
. . .
55:00
It's your turn, Khalil.
55:01
Yeah, um... Yeah, I've got a word right, but I'm hesitating. Is there something a bit... No, no, it's not a swear word or anything.
55:10
Because Lindy and I have no compunction about swear words in board games.
55:14
That is good to know, but... My word is... Just do it, whatever it is. OK. M-O-N-T-Y.
55:22
OK.
55:29
I'm sorry, no, I'm sorry, sorry. No, no, no, it's fine. Are you sure?
55:34
Yes, of course I am.
55:36
Oh, Linda, I didn't mean to make you cry.
55:39
No, no, it's not you, I just miss him, I miss him so much.
55:45
Yes, yes, of course you do, we both do. I should have just put M-Y-N-O-T-O.
55:51
No, no, it's absolutely fine, honestly, it's...
55:55
It's nice.
55:56
It's just a bit embarrassing to put something so rubbish when you're playing with an expert like Robert.
56:01
Well, yes, precisely. And it's a triple word score for you this time. So well done. I mean, technically, you're not actually allowed names.
56:10
Oh, Robert.
56:12
I didn't know that. Anyway, on this occasion, I think we can make an exception.
56:16
Of course we can. Khalil, do have another posh biscuit.
56:25
Ok, então a nurse está começando a falar com você em um seco. A consulta não está no shifto mais, mas a nurse pode responder alguma pergunta. Actualmente, você sabe o que? O que? Eu gostaria de falar com a cirurgia que vai me carregar. Não, não vai me carregar você? Eu conheço um senior cardio consultorio que diz que todos os cirurgiões são só buts. Bem, talvez um senior cardio consultorio que diz que...
56:51
O que eu quero saber é, am I... Am I likely to die? Are you likely to die? That's what I want to ask the surgeon. Right. So, what did they say? When? When they talked to you about the op. Oh, um... Well, they said there was a degree of risk, yes. Right. I mean, that's why I had to sign the form. Right. But I'm sure... I mean, I'm sure it'll be all right, Mum. You don't sound very sure. You have to have the op, Mum.
57:23
You have to. But why? I've explained why. Not really. Well, I've tried. Look, I need to speak to a medical professional. Yes, you do. Oh, look who's here. Who? Alan. Alan's come to see you.
57:38
Anna.
57:39
Carol. Oh, Alan, how lovely to see you.
57:43
How are you doing, love?
57:44
Oh, I'm in the wars.
57:46
Yes, you really are.
57:49
Oh, não é? Não, não é?
58:12
Sim, ele é.
58:13
Você não pode dizer que eu não, pode?
58:15
Bem, eu poderia, se eu fosse um incrível e uma pessoa terrível. Alan.
58:24
Can we pray together?
58:27
Yes, of course. We can all pray together, if you like. Oh, no, Anna won't want to join in. No, she's not at all religious. Neither are you, Mum, usually. Yes, but if I'm as close to death as you think I am, then I'd be better off hedging my bets. Can you please stop talking about dying? You started it. I don't think I did.
58:45
Do you know when the operation is happening?
58:47
Bom, deveria ter sido este dia, mas foi puxado. O que é o tempo agora? Tanto às 5h, eu acho. Não sei se vai acontecer hoje, Mum. Bem, em que caso, eu vou ter um dia mais de vida mais. A reprieve do Executioner. Oh, Mum. Eu espero que isso seja um relief para você quando eu estou.
59:06
Carol...
59:07
Não, eu estou sendo honesta. Não, você não. Você está sendo um pouco cruel, realmente. Você disse isso mesmo. Eu sou um buraco.
59:16
I never said that.
59:36
You are in your 80s, Robert.
59:38
Well, yeah, but that doesn't automatically make you old, does it?
59:41
Well, I think it does make us quite old, but it doesn't make us fuddy-daddies. A fuddy-daddy is boring, and I don't think we are.
59:48
No, you two are definitely not boring.
59:51
Well, that's kind.
59:52
No, it's just the truth.
59:55
You've really cheered me up, you know.
59:57
Me too. We were feeling pretty rotten till you showed up.
60:04
Usha sends her love, by the way. She's sorry she couldn't come see you this afternoon.
60:08
Oh, no, no, no, that's all right. She's a busy woman.
60:13
Anna, um... Por favor, você não vai comprar um livro ou algo? Um livro? Ou um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um... um...
60:42
I can pray with you, can't I? I'd really rather you didn't. Why? I need a moment, Anna. Is that too much to ask? No, no, it's fine. I'll go. Carol? Do you want anything from the cafe, Anna?
60:55
No, no, no, it's fine. Thank you.
60:57
Are you sure?
60:58
Yes, absolutely.
60:59
Okay.
61:01
Well, I'll be back soon, okay? I'll be back really soon. Anna, you are fuzzing, you are fuzzing. Did you know that? You always do, and it drives me insane. Okay, Mum.
61:12
Ok, eu vou deixar você do it.
61:20
Alan.
61:21
Sim?
61:23
Can you help me?
61:24
I can try.
61:25
Can you help me feel less afraid?
61:29
What is it you're afraid of?
61:32
Death. Eu estou com medo de death.
61:36
Eu não posso dizer isso em frente a Vanna, posso?
61:37
Por que não?
61:38
Eu não quero saber o... o que... o que eu sou. Valor? Sim?
61:44
Você tem que tirar o alarme?
61:56
Sim, é só que você não usa, do você? Não, eu uso meu telefone.
62:00
Obrigado.
62:01
No problema. Oh, você quer que tenha essa mug? O que mug? O que com o Harrison? Sim, claro. Isso parece particularmente estranho de ver a mug com a sua nome.
62:12
Sim, fair enough. O que é?
62:14
É só em cima da cupboard.
62:15
Oh, sim.
62:16
O que você tem? O que você tem? O que você tem? O que você tem?
62:19
Oh, do you know what? I can't find that blue shirt. I love that shirt. Yeah, me too. I'm worried I've lost it.
62:27
Did you definitely bring it back from Yorkshire?
62:29
Oh yeah, I did.
62:30
I know I did.
62:31
I'll have a look for it in a bit. I'll drop it round if I find it.
62:33
Oh yeah, well don't worry too much, but if it turns up.
62:36
Yeah.
62:38
Ok, então eu acho que eu tenho most de todos os essenciais. Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um... Tem um...
63:06
Oh, poor Carol. Poor Anna, too.
63:08
I know.
63:10
Harrison.
63:11
Yeah?
63:12
I think we're doing really well, don't you?
63:15
Yeah.
63:16
Totally. Absolutely.
63:20
That smells fantastic, by the way. What is it?
63:22
Mushroom risotto.
63:23
Oh, very nice. Yeah.
63:25
I do miss your cooking.
63:27
Don't have to say that.
63:28
You know I love your cooking.
63:30
Você pode estar se você quiser.
63:32
Você pode estar e comer. Obrigado. É muito kind.
63:35
Honestamente, Harrison, estaria. Eu tenho feito muito. Eu sempre falo.
63:40
Vai ser bom só para ficar um pouco. Sim, mas não está.
63:48
Ok, eu vou ter que ir.
63:50
Você tem plans?
63:52
Sim, sim. Você tem que ir com Chris? Não, não Chris. É alguém mais.
63:58
From work?
63:59
Yeah. What? Nothing. Why are you being weird? I'm not being weird. OK, it doesn't matter. Actually, sorry, yeah, no, it does matter, actually. Are you going on a date? No. You are. You are?
64:21
I don't know if I'd call it a date exactly.
64:23
What would you call it, then?
64:28
I'm just meeting someone But it's a girl, a woman, I mean Yeah And it's not platonic?
64:41
No Wow I'm sorry, Fallon, I'm really sorry, I wasn't planning on telling you Well, not yet anyway Not yet? Well, I just didn't want to lie I shouldn't have asked you Oh, no, no, no, it's fine
64:58
It's just... It feels really fast.
65:02
It is fast.
65:03
That's like the last thing I want to do right now. Go on a date with someone new.
65:11
I can't think about anyone else. I'm grieving you.
65:16
I'm grieving us. You're central in my mind. Not because I want you back, but because this is massive. Us splitting up is huge.
65:24
Of course it is.
65:25
Well, not for you, obviously. You're fine. You're already over it.
65:29
I'm not over it. Of course I'm not.
65:32
How long was it before you started looking?
65:34
I didn't go looking.
65:35
No? No. Well, how did you meet then?
65:38
Do you really want to talk about this?
65:41
No, not really.
65:42
Great.
65:43
Great, because neither do I.
65:47
Did they start while we were still...
65:51
No. No, no way. Of course not. You know I wouldn't do that. Don't you know I wouldn't do that?
65:55
Well, I don't know what to think anymore. Suddenly, it doesn't seem impossible.
65:59
I have never...
66:01
I would never... You always said I'm a terrible liar.
66:05
Well, I thought you were, but actually you did lie, didn't you? When? When you stayed on longer in Yorkshire, in the job, when you could have just come home months before.
66:14
Yeah, all right, that was a fair cut, but we were struggling, you know we were. I didn't want to make things worse by admitting I was happier there than here, because at that point I thought, I really thought I'd come home and we'd fix things.
66:29
Ok, ok. Então, se você não iria olhar, você não iria olhar para um dating app, você? Não. É alguém que você já conhece?
66:37
Falando.
66:39
Okay, so it started after we split up. Yes. Straight after?
66:44
No.
66:44
Well, I mean, it's only been about seven weeks and we were married for nearly eight years.
66:49
I know how long we were married.
66:50
A lot of people would say that is actually straight after.
66:53
Look, I don't mean to sound harsh, but it's not really any of your business anymore.
66:58
No, no, no, you're right, you're right. No, no, it's not. And I'm sorry.
67:02
Mas eu quero saber... Eu quero saber o que está acontecendo e quem é e... E... Am I going to be running into you both at the ball? Oh, look, of course not. Holding hands and snogging? Of course not. I mean, I don't think it's unreasonable to want some warning about something like that.
67:17
Look, I just...
67:19
I can't speak for her, can I? It's really early days. I don't know what it is yet, or if it's anything, and I feel really bad for her.
67:28
Oh, you feel bad for her? Yeah, you know what I mean.
67:30
What about me?
67:31
You don't feel bad for me?
67:32
Of course I feel bad for you.
67:34
Well, from where I'm standing, it looks like you just feel sorry for yourself.
67:37
Look, is something burning? What? Something's burning, the tea towel's on fire.
67:41
Oh, God.
67:43
No, no, no, don't use that. Hang on. No, don't pick it up. What are you doing?
67:48
It's fine, it's fine, it's all fine. You could have really burned yourself. Well, I didn't want you to use the fire extinguisher. Why? Well, I didn't want foam all over the kitchen, did I?
67:56
So you'd rather have burned the house down than lose your risotto?
67:58
No, of course not, but it was fine.
68:00
You could have really hurt yourself then.
68:02
But I didn't. I don't know anyone else who has a fire extinguisher in their kitchen.
68:07
Well, not everyone's seen what I've seen, have they? That's true.
68:11
I just wanted to keep you safe.
68:14
I know, and I appreciate that.
68:15
Yeah?
68:18
Of course, and I did feel safe with you, Harrison, I really did.
68:24
Really?
68:24
Yes, absolutely, 100%.
68:29
I never thought we'd be separating.
68:32
Me neither.
68:32
I thought we were going to grow old together.
68:34
Do you think we're making a horrendous mistake?
68:40
I don't know, Fallon, I mean... Oh. What?
68:43
I think your blue shirt might be in the dryer.
68:45
Oh, yeah? Yeah.
68:48
Sim, aí você vai. Oh, é bom. Você vai usar isso hoje?
68:57
Eu não sei.
68:57
Você deve. Isso é ótimo para você.
69:00
Listen.
69:02
O que? Eu estou ouvindo.
69:06
Você quer tentar novamente?
69:10
Eu não sei, você?
69:11
Não importa o que eu quero.
69:12
Claro que eu quero. Você quer tentar novamente?
69:17
Porque se você quiser fixar isso, eu não vou. Você não vai? Eu não vou sair aqui com você e nós podemos conversar e tentar trabalhar tudo isso. O que você acha? Eu acho... Eu acho que você deve ir no seu dia.
69:34
Eu acho...
69:53
Sorry, Harrison, I didn't mean to confuse things.
69:58
We know why we split up, don't we?
70:01
And it's not fair to stop you meeting this woman, whoever it is, just so we can sit and analyse what went wrong and end up back where we started, you know?
70:12
But what if we don't end up back where we started? What if we could sort things out?
70:17
We tried that already. We tried so hard.
70:19
It's alright.
70:21
Thank you though.
70:22
Thank you.
70:23
For offering. That was a really generous offer.
70:26
Which you rejected. Which I rejected, yeah. I'm sorry. Thanks a lot. Thanks for nothing.
70:34
I hope you have a nice time, okay?
70:37
You don't mean that.
70:38
No, I do. I do mean it.
70:39
You don't.
70:42
You're a lovely man.
70:43
Don't say that.
70:44
You are.
70:51
É Lili.
70:53
O que é Lili?
70:56
É Lili. É Lili Pagetar.
71:00
É quem você está meeting? Sim.
71:03
Estou aqui? Sim. Você é sério?
71:09
Eu não vou julgar a câmera agora.
71:11
Lili Pagetar? Sim.
71:13
Mas eu estava com ela, Loa Loxley e o Bull, e ela nunca disse nada. Claro que não. E ela era uma vez que me. Por que não era uma vez que você era uma vez que você era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez que era uma vez Except that she's Kenton's niece.
71:45
You've known her since she was a kid and she's my boss's daughter.
71:49
Oh, everyone knows everyone in Ambridge.
71:50
What am I supposed to do about that? Join a dating app like a normal person! We didn't meet on a dating app. No, you arrested me, which actually isn't much more appropriate than whatever the hell is going on with you and Lily.
72:00
Okay, listen, we had a good marriage, a great marriage, actually, until it wasn't. And there is no need to start rewriting history, making out like there was something wrong from the beginning.
72:10
Okay, you need to go. Take your shirt and go.
72:12
You wanted to know who it was. No, I didn't. You asked me who it was 20 times in the last 10 minutes.
72:17
No, no one stopped asking and then you just said it. You just came out with it.
72:21
No, I just wanted to be honest with you.
72:22
No, you didn't. I think you wanted to show off. What? Yeah, yeah. I think you're kind of proud of getting this gorgeous younger woman and you couldn't help yourself.
72:30
Don't be ridiculous.
72:31
Well, why else? Why else would you tell me just as you were going, just as you were nearly out the door?
72:36
I don't know, OK? I don't know, all right? I just, it just came out. Words do that.
72:41
Oh, for goodness.
72:42
O que? Eles fazem?
72:43
Não esquece o mug.
72:44
Eu me sinto? O mug? Falon! Você era capaz de cair.
72:47
Eu não sabia que você ia jogar. Eu não sabia que você ia jogar. Eu não sabia que você ia jogar. Eu não sabia que você ia jogar. O que você está fazendo? Não, eu estou com a dustpanha.
72:57
Não, eu posso fazer isso.
72:58
Não, eu posso fazer isso.
72:59
Eu não quero você. Eu não quero você.
73:00
Eu quero você. Eu quero você.
73:11
Yeah, good!
73:13
But Fallon... What?
73:15
I really am sorry.
73:16
Yeah?
73:17
Yeah.
73:17
What are you sorry about?
73:18
About this. About tonight.
73:21
Yeah. Yeah, so am I.
73:45
E aí
74:14
In summer 2005, I blagged my way into a job editing a new British gangster film, and I'd unknowingly been employed by two of London's most notorious gang leaders. You cross us, you get sorted out. We're serious people. I was stepping into a world where the lines between fact and fiction barely existed, because the film they'd written was the story of their lives, and they were using it to change their future. Mas seria possível de realmente deixar a criminologia atrás deles? Foi tudo bom um mês atrás. Eu sou Luís Albro. De BBC Radio 4 e Shadow World, este é Breaking the Cycle.
74:50
Subscribe para Shadow World, Breaking the Cycle, no BBC Sounds.
74:56
. . . .
